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TAG McLaren(Åױ׸ƶó·») [AV32R bp-192 THX Ultra2 Dual Processor 7.1] - AV ÇÁ·Î¼¼¼­
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The AV-32Rbp-192 THX Ultra2 Dual Processor 7.1

TAGMcLarenÀÇ ´ëÇ¥±Þ ÇÁ·Î¼¼¼­ AV32R DP´Â µà¾ó ÇÁ·Î¼¼¼­¿¡ 7.1ü³Î°ú bp-192 , 6ü³Î ¹ÙÀÌÆä½º ¹× THX Ultra2 ¸¦ Áö¿øÇϰí ÀÖ´Â ÃֽбâÁ¾ÀÇ µà¾ó ÇÁ·Î¼¼¼­ ÀåÂø ÇÏÀÌ¿£µå ÇÁ·Î¼¼¼­ ÀÔ´Ï´Ù.
ÃÖ°í ±ÇÀ§ÀÇ ¸ðÅÍ ½ºÆ÷Ã÷ÀÎ Formula 1ÀÇ ¸í¹®ÆÀ McLaren Mercedes¿Í Á¤¹Ð°øÇÐÀÇ ¼±µÎÁÖÀÚ TAG HEUER»ç¿¡¼­ ÇÕÀÛ ¿Àµð¿À Á¦ÀÛ»çÀÎ TAG McLaren »ç´Â ½ºÆ÷Ã÷Ä«ÀÇ ÇÙ½É ±â¼úÀÎ ¹°¸®Çаú ÀüÀÚÁ¦¾î, ±â°è°øÇÐ,Ç×°ø ±â¼úµîÀÇ º¸À¯ ±â¼úÀ» ¹ÙÅÁÀ¸·Î ÃÖ°íÀÇ À½Çâ ¿µ»ó ±â¼úÀ» ÀÌ·ç¾î ³»¾ú½À´Ï´Ù. Á¦Ç°ÀÇ ¿ªµ¿ÀûÀÎ µðÀÚÀÎÀº ¼³Ä¡Àå¼Ò¿¡ ±ÍÁ·ÀûÀÎ ¿ì¾ÆÇÔÀ» ¼±»çÇØ ÁÖ¸ç, Á¤ÀûÀÎ °ø°£¿¡ Ȱ±âÂù »ý¸í·ÂÀ» ÁÝ´Ï´Ù. TAGMcLarenÁ¦Ç°µéÀº TAGtronic comunication Bus¸¦ ÅëÇØ »óÈ£ Á¤º¸¸¦ ±³È¯ÇÕ´Ï´Ù. °£´ÜÇϰԴ On/Off ±â´É¿¡¼­ºÎÅÍ DVDP¿Í Processor°£¿¡ ¹ß»ýÇÏ´Â ÁöÅ͸¦ °¨¼âÇϸç, È­¸é°ú À½ÇâÀÇ LipSync¸¦ ¿Ïº®ÇÏ°Ô ÀÏÄ¡ ½ÃŰ´Â ³î¶ó¿î ¿¬µ¿¼ºÀ» °¡Áö°í ÀÖ½À´Ï´Ù. ºü¸£°Ô º¯ÇÏ´Â ÃÖ½ÅÀÇ µðÁöÅ» Æ÷¸ËµéÀº ÀÎÅͳÝÀ» ÅëÇØ Áö¼ÓÀûÀ¸·Î ¾÷±×·¹À̵å ÇÒ ¼ö ÀÖ½À´Ï´Ù. TAGMcLaren ¿Àµð¿ÀÀÇ ¿ì¼öÇÑ ¹ë·±½ºÀÇ À½Çâ°ú dz¿ä·Î¿î ¿µ»ó¹Ì¸¦ ÅëÇØ Áñ°Å¿î ¿©°¡ »ýȰÀ» Áñ°Ü º¸½Ã±â ¹Ù¶ø´Ï´Ù.
 
TAG McLaren Audio AV-32Rbp-192 THX Ultra2 Dual Processor 7.1 ´Â?
 

AV32R bp-192 THX Ultra2 Dual Processor 7.1 ÇÁ·Î¼¼¼­´Â ´Â ·çÄ«½º Çʸ§ÀÇ THX ¿ïÆ®¶ó2¸¦ ÀÎÁõÀ» ¹ÞÀº ¸ðµ¨·Î Çö´ëÀÇ ÇÏÀÌ¿£µå AV ÇÁ·Î¼¼¼­¸¦ ´ëÇ¥ÇÏ´Â Á¦Ç°ÀÔ´Ï´Ù. ´Ù¾çÇÑ ±â´É ¼³Á¤À» Â÷Áú¾øÀÌ ¼öÇàÇϱâ À§ÇØ ÃÖ°íÀÇ ÇÁ·Î¼¼¼­ ĨÀ» µà¾ó·Î ÀåÂøÇϰí ÀÖ´Â Á¦Ç°ÀÔ´Ï´Ù. 192kHz/24 bit DAC ±â´ÉÀ» Ãß°¡ ÇÏ¿© ¿Ïº®ÇÑ »ç¿îµå Á¦»ýÀÌ °¡´ÉÇÕ´Ï´Ù.
¶ÇÇÑ 6ü³Î ¹ÙÀÌÆä½º ÀԷ´ÜÀ» Ãß°¡ÇÏ¿© DVDAUDIO, SACD¸¦ ¿Ïº®È÷ ȣȯ Çϰí ÀÖ½À´Ï´Ù.
¾Æ³¯·Î±× ȸ·ÎºÎ¿¡´Â ¾ÈÁ¤¼ºÀ¸·Î À̸§ ³ôÀº ºñ¼ÎÀÌ ÀúÇ×À» ºñ·ÔÇØ ÃÖ°í±ÞÀÇ ºÎǰÀÌ ÅõÀÔ µÇ¾ú½À´Ï´Ù.
DVD32R °ú µ¿±âÈ­½ÃÄÑ ÁöÅ͸¦ ÃÖ¼ÒÈ­ÇÏ´Â ÅÃÆ®·Î´Ð T2L ¸µÅ©±îÁö ¸¶·ÃµÇ¾î ÀÖÀ¸¸ç ÇÏ·ç°¡ ´Ù¸£°Ô º¯È­ÇÏ´Â ¼­¶ó¿îµå Æ÷¸Ë¿¡ ´ëÇÑ ´ëÇÑ Áغñµµ öÀúÇÑ Á¦Ç°ÀÔ´Ï´Ù.


AV32R bp-192 THX Ultra2 Dual Processor 7.1 ´Â AV32R¿¡ µà¾ó ÇÁ·Î¼¼¼­ ÀåÂø, 192/24 bp-192 Ĩ°ú ¾Æ³ª·Î±× ¹ÙÀÌÆä½º 6ü³Î,TAG McLaren Room EQualisation - TMREQ µîµî°ú DD ES, DTS EX , DTS NEO6, Dolby Pro Logic II, MPEG-2 µîÀÇ ¿É¼ÇÀÌ Ãß°¡µÈ ¸ðµ¨ÀÔ´Ï´Ù. µîµîÀÇ Ãֽо÷±×·¹À̵尡 ¿Ïº®ÇÑ Ç®¿É¼Ç AV32R Á¦Ç°ÀÔ´Ï´Ù.

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- µà¾ó ÇÁ·Î¼¼¼­ Ĩ žÀçÇÏ¿© ÃÖ°íÀÇ ÇÁ·Î¼¼½Ì´É·Â ¹ßÈÖ
- TAG McLaren Room EQualisation - TMREQ ·Î ÃÖÀûÀÇ ½Ãûȯ°æ ¼³Á¤¹× Á¦°ø
-DOLBY HEADPHONE ¿É¼Ç Á¦°øÀ¸·Î ¿Ïº®ÇÑ HEADPHONE À¸·Î ¸ÖƼü³Î °¨»ó
-7.1(5.1)¾Æ³ª·Î±× ¹ÙÀÌÆÐ½º ±â´É(SACD,DVD AudioÆ÷¸Ë¿¡ ´ëÀÀ)
-192kHz/24bit ÇÏÀÌ ½Ã±×³Î DACĨ žÀç
-·¹ÄÚµù¿ë ¾Æ³ª·Î±× Ãâ·Â °¡´É
-Dolby Pro Logic II Áö¿ø
-ÇÕ¸®ÀûÀ¸·Î ¼³°èµÈ ¼¼ÆÃ¿ë Æß¿þ¾î
-T2Lȸ·Î¸¦ ÅëÇÑ DVD¿ÍÀÇ Á¤º¸ ±³È¯À¸·Î ÁöÅ͸¦ ÃÖ
-Áö¼ÓÀûÀÎ ¼ÒÇÁÆ®¿þ¾î ¾÷±×·¹ÀÌµå °¡
-DVD,Amp¿Í TAGctronic Communication Bus·Î »óÈ£ ¿¬µ¿ °¡´É

 

 

AV32R bp-192 THX Ultra2 Dual Processor 7.1ÁÖ¿ä ¿É¼Ç (¿É¼Ç¹× ¾÷±×·¹À̵å´Â ÇÏ´Ü ÂüÁ¶)
* µà¾ó ÇÁ·Î¼¼½ÌĨ žÀçÇÏ¿© ¿Ïº®ÇÑ ÇÁ·Î¼¼½Ì ´É·ÂÀç°ø
(±âº»ÀåÂø)
* TAG McLaren Room EQualisation - TMREQ
* THX Ultra2 Áö¿ø À½Àå¹× ±â´É Á¦°ø
* DOLBY HEADPHONE
* 7.1 Channel Hardware Option
* HDCD? Software Option
* DTS-ES 6.1 Discrete
* DTS Neo:6 Software Option
* MPEG-2 Software Option
* Action-Switches Hardware Option
* DAB Digital Radio Hardware Option (Ãß°¡ ¿É¼Ç)
* AC3-RF Demodulator Hardware Option (Ãß°¡ ¿É¼Ç)
 
 
TAG McLaren Room EQualisation - TMREQ (±âº»ÀåÂø)
AV32R DP¿¡ Á¦°øµÇ´Â ÀÚµ¿À½Àå¹× ÀνºÅç·¹ÀÌ¼Ç ÀÌÅ¥·¹¾Ö¼Ç ÇÁ·Î±×·½ÀÌ Á¦°øµÈ´Ù ÀÌ ÇÁ·Î±×·½Àº ÄÄÇ»ÅÍ¿Í ¿¬°áÇÏ¿© ÃÖÀûÀÇ ·ëÆ©´×¹× ½ºÇÇÄ¿ Ã߯ļöƯ¼º ÆÄ¿ö¾ÚÇÁ¹× ±â±âµéÀÇ Æ¯¼º¿¡µû¸¥ ÃÖÀûÀÇ ¼¼ÆÃÀ» °¡´ÉÇϵµ·Ï ÇØÁÖ¸ç 8ä³ÎÀÇ 96kHz/24-bit ¿Àµð¿À ¼Ò¸®Ãâ·ÂÀ¸·Î ÃÖ»óÀÇ »ç¿îµå ¼³Ä¡¸¦ °¡´ÉÇÏ°Ô ¸¸µé¾îÁØ´Ù.

is a comprehensive, 8-channel, 96kHz/24-bit audio equalisation package that allows you to compensate for the detrimental influences of room acoustics and loudspeaker response, producing a sound field that is far more natural and faithful to the original production.

The sound you hear from your Home Cinema system is a combination of the direct sound from the loudspeakers¡¯ drive units, reflections of the loudspeakers¡¯ output from the walls, floor, ceiling and furniture of the room, acoustic resonances of the room and resonances in the loudspeakers¡¯ cabinets, both direct and reflected. As a result of all these contributions to the sound, what arrives at your ears is very different from the waveform that is sent to the loudspeakers.

Here is the in-room response of a loudspeaker showing variations of more than 10dB, despite having an almost perfectly flat response when placed in an anechoic test chamber. The flat response is gone, the room is interacting with the sound.

Equalisation allows us to correct many of these distortions and get much closer to the sound that was recorded. The main role of equalisation is to attenuate areas where there are room induced peaks in the response, which has the added benefit that loudspeakers and amplifiers will not have to work as hard at these frequencies, reducing distortion


* Dolby ÇìµåÆù ¼ÒÇÁÆ® ¿þ¾î ¿É¼Ç (±âº»ÀåÂø)

Doldy ÇìµåÆù ¿É¼ÇÀº ÀÏ¹Ý ÇìÆ®ÆùÀ¸·Î ¿©·¯°³ÀÇ ½ºÇÇÄ¿·Î ¿¬ÁÖ¸¦ Çϰí ÀÖ´Â ¸®½Ã´× ·ëÀÇ È¿°ú¸¦ Ç¥ÇöÇϱâ À§ÇØ ¸¸µé¾îÁø µ¹ºñµðÁöÅлçÀÇ ÇØµåÆùÀ½Áß ¸ðµåÀÔ´Ï´Ù. ÀÌ À½Àå ¸ðµå¸¦ »ç¿ëÇÑ´Ù¸é ÇØµåÆùÀ¸·Îµµ 5.1ä³ÎÀÇ ½ºÇÇÄ¿¿¡¼­ µè´Â ´À³¦À» ÇØµåÆùÀ¸·Îµµ °¨»óÀÌ °¡´ÉÇÕ´Ï´Ù.
Wouldn't it be great to be able to crank up your home cinema system without bothering your neighbours? Well, now the performance of the AV192 will allow you to do that:

Dolby Headphone is a revolutionary signal-processing system that can take up to five channels of audio from any source and make it almost sound like it's coming from that many speakers in a real listening room. The ¡®in your head' effect of regular headphone listening is replaced by a spacious, natural soundfield.
The following is courtesy Dolby¡¯s website (www.dolby.com).

Dolby Headphone's powerful signal-processing algorithm generates a host of audio cues modelled from real life, from which our ears and brain derive a three-dimensional sound image. When you listen to a 5.1 sources you hear the sound of five speakers: three in front of you, and a surround speaker to each side. When you listen to stereo material, you hear the sound of two speakers not at your ears, but out in front of you.

Because of the way Dolby Headphone Technology works and the power of its signal processing, Dolby Headphone technology can model the sound of a playback system in up to three different listening environments, based on acoustic measurements of real rooms:

-DH1 is a small, well-damped room appropriate for both movies and music-only recordings. It is the Dolby Headphone "Reference Room".

-DH2 is a more acoustically live (or "wet") room particularly suited to music listening, but also great for movies.

-DH3 is a larger room, more like a concert hall or movie theater.

7.1 Channel Hardware Option (±âº»ÀåÂø)

This option adds those essential two back channels which are necessary to replay recordings in Dolby EX or DTS-ES 6.1. They are also required to make use of the Height Channel. Highly recommended for an improvement of spaciousness and completeness of the surround information.

UPGRADE INCLUDES ACTION SWITCHES (SEE BELOW)

 
 
DAction-Switches Hardware Option (±âº»ÀåÂø)

Action switches are used to control external events, such as automatically lowering a motorised screen when you want to watch a movie.

The AV30R Action-Switches option includes, for this purpose, three switches which are controlled by the AV30R¡¯s software.


They are accessible via a 9 pin D-type connector, see left, which is mounted at the rear panel of the AV30R.

Each Action-Switch is accessed by the AV30R when you press any of the relevant input keys on the remote control or when you press standby. The AV30R can be programmed to open, close or leave the switches in the same position



DAB Digital Radio Hardware Option


Much has been written about DAB Digital Broadcast, the new radio system, adopted by many countries to push radio broadcasting into the digital future. DAB Digital Radio, provides noise-free reception, additional programmes and extended digital data services.

TAG McLaren has always been a keen supporter of Digital Radio. We demonstrated this when launching our T32RDAB, which was the first tuner combining AM/FM with Digital Radio. We are proud that the hard work which went into the T32R has been appreciated by the many radio stations who use the T32R as their reference and by many audio critics who consider the T32R to be possibly the best radio in the world.

AC3-RF Demodulator Hardware Option  

This option adds the ability to retrieve Dolby Digital sound from Laser Disks. There are few NTSC Laserdiscs produced in this format. This upgrade is not required for Dolby Digital recorded on DVD.

HDCD? Software Option (±âº»ÀåÂø) 

Using HDCD1, a recording engineer can record the music at a higher resolution than on a standard CD. HDCD-encoded CDs have 20-bit resolution compared with the 16-bit for ordinary CDs. This gives a greater dynamic range, a more focussed, spatial image and a more musical timbre. The HDCD software option is available for all versions of the AV30R.

HDCD?, High Definition Compatible Digital? and Pacific Microsonics¢â are either registered trademarks or trademarks of Pacific Microsonics, Inc. in the United States and/or other countries


DTS-ES 6.1 Discrete and DTS Neo:6 Software Option (±âº»ÀåÂø) 

This option requires an AV30R equipped with the 7.1 channel hardware option. It adds the capability to decode DVDs recorded in DTS-ES 6.1 Discrete and also provides the DTS version of enhancing stereo recordings through Neo:6 Music and Neo:6 Movie.



MPEG-2 Software Option
(±âº»ÀåÂø)

Some might remember that MPEG-2 was once destined to become the only sound format for European DVDs, with Dolby Digital being limited to other parts of the world. Fortunately, this decision was quickly overruled by market forces. In actual fact, very, very few MPEG-2 encoded DVDs ever made it into the shops.

Nevertheless, if you own one of these rarities, then this option is for you

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