The PSM192 uses its own power supply circuitry
which will automatically be specified when selecting the PSM192 option.
This auxiliary power supply consists of its own transformer, rectifier and
voltage regulators and is, for best performance and minimal cross-talk,
completely independent of the AV192R ¡®normal¡¯ power supply circuitry.
The PSM192 requires an RGB Progressive / Scaler Interface
to connect to the RGBS/Component Switcher; it will automatically be specified
when selecting the PSM192. The PSM192 also offers a digital video output
(DVI 1.0).
If the optional Video Scaler VSM2048 is installed the
PSM192's digital video DVI output is directly routed to the scaler for
further processing.
DVI Switcher Option
ÃÖ»óÀÇ µðÁöÅÐ ¿µ»ó ±¸ÇöÀ» À§ÇÏ¿© DVI ½ºÀ§Ã³ ¿É¼ÇÀ» °¡Áö°í ÀÖ½À´Ï´Ù.
(¿µ»ó ÇÁ·Î¼¼¼ VSM 2048 ÀåÂø ÇÏ¸é ±âº» Á¦°ø) ÀÌ DVI ½ºÀ§Ã³ ±â´É ¹× ¿µ»ó ¾÷½ºÄÉÀÏ ±â´ÉÀ» °¡Áö°í ÀÖÀ¸¸ç
¿µ»ó Ãâ·ÂÀº HDCP¸¦ Áö¿øÇϰí ÀÖÀ¸¸ç ¶ÇÇÑ ÃÖ±Ù ¼¼·Î¿î µðÁöÅÐ ¿µ»óÀ½¼ºÃâ·Â Æ÷¸ËÀÎ HDMI Ãâ·ÂÀ» Áö¿øÇϰí ÀÖ´Ù.
The DVI Switcher will add even more exciting capabilities to the AV192R.
At its most basic, it provides a means of switching one of two DVI sources
to a DVI output, with HDCP support. It also allows either of the DVI sources
to be routed to the VSM2048 scaler for processing. The DVI switcher will
also support the forthcoming HDMI audio/video digital interconnection protocol
by means of an additional optional plug-in module, which will be offered
after the protocol has been finalised and the required interface devices
become commercially available.However, the DVI switcher has a much more
important function: it allows full resolution transfer of digital video
data plus up to 8 channels of digital audio data from the DVD192R to the
AV192R - including DVD-Audio data at its full bandwidth and resolution.
The data is transferred over a TAG McLaren proprietary, encrypted link.
The link uses DVI cables, but the protocol, coding scheme and signal allocations
are unique to TAG McLaren to guarantee that the integrity of the video and
audio data is preserved. The connection even uses the TAGtronic Sync Link
for the lowest possible jitter.Finally, the full potential of digital sources
can be realised, unencumbered by unnecessary analog conversions or artificially
reduced resolution. More details will be published closer to the product¡¯s
release date.
Dolby Pro Logic IIx À½Àå
¸ðµå Áö¿ø
AV192R¿¡´Â µ¹ºñÇÁ·Î·ÎÁ÷ 2X°¡ ÀåÂøÀÌ µÇ¾î
ÀÖ½À´Ï´Ù. ÀÌ¹Ì ÇÁ·Î·ÎÁ÷2 À½Àå¸ðµå´Â ¸ÖƼü³Î¿¡¼ ÃÖ°íÀÇ À½Àå¸ðµåÀû ¼º´ÉÀ» Áö´Ï°í ÀÖÀ¸¸ç À̰ÍÀ» ¹ßÀüÇÏ¿© ÇÁ·Î·ÎÁ÷2X À½Àå¸ðµå°¡
¾÷±×·¹À̵å ź»ýÇÏ¿´°í AV192R¿¡´Â ÀåÂøµÇ¾î ÀÖ½À´Ï´Ù.
7.1ü³Î¿¡ °¡ÀåÀÌ»óÀûÀÎ µ¹ºñ ÇÁ·Î·ÎÁ§ ¸ðµå·Î ÃÖ»óÀÇ À½ÁúÀ» Àç°øÇÒ°Í ÀÔ´Ï´Ù.
processors leaving the factory after 1st September
2003 will include a voucher to upgrade the AV192R free of charge or have
Pro Logic IIx already installed.
Pro Logic II, already one of the best processing
modes to produce multi-channel sound from stereo sources, has just got
even better!
Pro Logic IIx takes Pro Logic
II processing into the 7.1 arena, taking full advantage of the back channels
that are becoming part of many advanced Home Cinema installations.
5.1 Set-ups also benefit,
as Dolby¡¯s designers decided to fine-tune Pro Logic IIx to improve sound
quality for 5.1 home cinema installations too..
Finally for all ¡®gamers¡¯, be it 5.1 or 7.1,
the new sound format Pro Logic IIx Game is added which
can make gaming even more realistic. Pro Logic II is
praised for its natural sound, avoiding the artificiality that can blight
some attempts to generate multi-channel presentations from stereo sources.
This is due in part to the newly developed approach in steering logic
design, which affords unprecedented smoothness and precise dynamic behaviour.
Another factor is the lack of signal coloration achieved by employing
the simplest audio path, with as little filtering of the audio as possible.
Pro Logic IIx allows the already highly sophisticated
Pro Logic II algorithms to process native stereo and 5.1-channel content
to produce 6.1 or 7.1 output channels.
Pro Logic IIx is a combination of the acclaimed
Pro Logic II processing and Dolby? Digital Surround EX¢â, with a few extra
wrinkles thrown in for best sound quality - be it 5.1, 6.1 or even 7.1.
Pro Logic IIx processing can be applied to
all two channel sources, plus Dolby Digital 5.1, DTS 5.1 and even material
encoded with Dolby Digital Surround EX or DTS-ES Matrix.
All the current features of Pro Logic II are
retained, including the Centre Width control and the Panorama mode. The
Centre Width control is ideal for reducing the ¡°hard Centre channel¡± phenomenon
that sometimes results from Centre signal steering of stereo encoded soundtracks,
whilst the Panorama mode creates an even more enveloping front surround
field.
Music mode and Movie mode.
As with Pro Logic II, there are Music
and Movie modes in Pro Logic IIx.
Surround programs are primarily movie based.
Even TV dramas are essentially mixed like movies. When programs are mixed
in surround, they are monitored through the surround decoder that will
be used for playback in the cinema or home. Movie mode is the reference
decoder mode for any such surround-encoded program.
Music, on the other hand, is commonly mixed
for stereo playback, and no surround monitoring is done by the mixer.
When played back through a surround decoder, the results may not always
be optimal. This is because a movie-type decoder is expecting a signal
that has been deliberately surround encoded. Music mode brings the benefits
of a highly natural and balanced multichannel surround sound field to
content that was not specifically encoded for surround playback.
Speaker configuration
Speaker types and configurations for a 7.1
system have prompted much discussion. At TAG McLaren we have found that
using direct radiators all around gives excellent results, though using
bipolar speakers for the Surround channels can be highly beneficial if
they are close to the audience.
Dolby suggest the layout shown above, and have
themselves found that direct radiators often provide maximum clarity and
detail and recommend their use.
Game Mode
Pro Logic IIx adds a special ¡°Game Mode¡±, allowing
those who use their Home Cinema systems to enjoy video games to get an
even better gaming experience. The Game mode is specially tuned to ensure
that the full bass impact from surround effects in a game are delivered
to the subwoofer - explosions shake the room like never before!
XLR Balanced Outputs
TAV192R Àº RCA 7.1ä³Î À̿ܿ¡ XLR
¹ß¶õ½º Ãâ·ÂÀ» ¿É¼ÇÀ¸·Î Áö¿øÇϰí ÀÖÀ¸¸ç ÀÌ XLR Ãâ·ÂÀº ±âº»ÀÇ RCAÃâ·Â¿¡ ºñÇÏ¿© ¾ÈÁ¤ÀûÀÌ¸ç ¶Ù¾î³ °íǰÀ§ À½ÁúÀ» ¼±»ç ÇÒ°Í
ÀÔ´Ï´Ù.
The AV192R can be - at any time - upgraded
to provide ¡®7.1' balanced XLR outputs.
These are in addition to the standard ¡®7.1'
single-ended outputs. Both single-ended and balanced outputs can be used
at the same time and have been calibrated to offer identical amplification,
making them also well suited for bi-amplification set-ups.
Why should I add this option?
It is possible for a current to flow between
the ground connections of the AV192R and its connected power amplifiers,
caused by electro-magnetic interference or ground potential differences.
With a single-ended connection this current is indistinguishable from
the signal and hence can become audible as a hum or buzz. The problem
is usually referred to as ground loops and can be overcome by using this
XLR Balanced Output option.
This option is recommended for those who experience
ground loop problems or those who want to achieve the best signal to noise
ratio possible!
A major advantage of balanced interconnection
is the complete suppression of ground-loop problems. Balanced inputs use
three conductors, one for the ground and two for the balanced signal.
The balanced input at the amplifier does not
respond to the voltage between the input signals and ground, which could
be altered by a ground loop, but to the voltage difference between the
two conductors carrying the signal.
RGBS/Component Switcher
TAV192R¿¡´Â ÄÄÆÛ³ÍÆ® ¿µ»ó¹× RGB¿µ»ó ÀÔÃâ·ÂÀÌ
°¡´ÉÇϸç À̰ÍÀ» ÀÌ¿ëÇÏ¿© ½ºÀ§Ã³ ±â´ÉÀÌ °¡´ÉÇÏ´Ù. ÄÄÆÛ³ÍÆ®/RGB 4°³ÀÇ ÀԷ°ú 1°³ÀÇ ¿µ»ó Ãâ·ÂÀ¸·Î ±¸¼ºµÇ¾î ÀÖ´Ù. ¶ÇÇÑ OSD
¿µ»óÀÌ ÄÄÆÛ³ÍÆ®³ª RGB ¿µ»óÃâ·ÂÀ¸·Î °°ÀÌ Á¦°øµÇ¿© ȸéÀ» º¸¸é¼ ÇÁ·Î¼¼¼ÀÇ ¼¼ÆÃÀÌ °¡´ÉÇÏ´Ù.
The AV192R can be equipped with a 4 to 1 RGBS
video switcher. This allows the switching of up to four RGBS/component
video sources of up to approx. 200 MHz to a common video output, usually
the display device.
The AV192R offers full support of RGBS, i.e.
RGB with separate Sync, which is very common in Europe (SCART1). It works
equally well with YPbPr, common in the USA.
Two of the input sets use digital RCA, the
most common connector found on DVD players and other video sources today.
For added performance the third set has been assembled with 75 Ohm BNC
connectors providing true impedance matching, essential for high frequency
signals.
In addition, the RGB Input Switcher includes
an HDTV (HD15) input which can also be routed to the output.
All video signals can be passed through the
optional Progressive Scan Module PSM192 and Video Scaler VSM2048, then
offering YPbPr, RGsB or RGBHV video output formats.
OSD on RGBS/Component
AV192R equipped with the Progressive Scan Module
PSM192 can generate on-screen text on the RGBS/Component Switcher and
PSM192 DVI outputs.
SCART to RCA/BNC cables are readily available
FM Radio
AV192R¿¡ FM ¶óµð¿À ¿É¼ÇÀ» ÀåÂøÇÒ°æ¿ì °íǰÀ§
¶óµð¿À°¨»óÀÌ °¡´ÉÇÏ´Ù.
TAG McLaren¡¯s radio technology, analog or DAB
digital radio, is well regarded: in actual fact, some consider our T32R
to be the world¡¯s best radio!
The AV192R's FM radio is based on the encapsulated
module first used in our hi-performance system Aphrodite. This module
has been derived from the T32R FM circuitry, but has been voiced by our
Golden Ears to be slightly ¡®more forgiving¡¯ if a station doesn¡¯t broadcast
the ultimate signal quality. A wise decision, in our opinion, if you listen
to more than just BBC Radio 3.
The AV192R¡¯s FM radio offers excellent FM reception
and is, for added flexibility, equipped with two, electrically identical,
FM antenna inputs. This allows, for example, connection to a conventional
outdoor FM antenna and an FM cable distribution system.
RDS functionality and station memories make
tuning and station selection very easy.
Station name and scrolling radio text can be
displayed on the AV192R's front panel or on-screen display.
Combined with the Standby / Wakeup Timer, included
with all AV192R, the FM radio becomes the ultimate clock radio!
AC3-RF Demodulator Hardware
Option
AV192R¿¡ AC-3 µðÄÚ´õ ÀåÂøÀ¸·Î ·¹ÀÌÀú µð½ºÅ©µîÀÇ
AC-3 5.1ü³ÎµîÀÇ µðÁöÅÐ ½ÅÈ£ÀÇ ÀÔ·ÂÀÌ °¡´ÉÇÏ´Ù. ´Ü DVDµîÀÇ µ¹ºñµðÁöÅÐ À̳ª DTSµîÀÇ ½ÅÇüÀ½À常 »ç¿ëÇÒ°ÍÀ̶ó¸é ±»ÀÌ
ÇÊ¿ä ¾ø´Ù.
This option adds the ability to retrieve Dolby
Digital sound from Laser Disks. There are few NTSC Laserdiscs produced
in this format. This upgrade is not required for Dolby Digital recorded
on DVD.
HDCD? Software Option
°íÀ½ÁúÀÇ CDÀÎ HDCD µðÁöÅÐ µðÄÚ´õ ¿É¼ÇÀ¸·Î
ÀÎÅͳÝÀ̳ª ±âº»¿É¼ÇµîÀ¸·Î Á¦°øÇÑ´Ù. HDCD¶õ ÀϹÝCD¿¡ ºñÇØ °íǰÁú·Î ³ìÀ½µÈ CD·Î AV32Rµî°ú °°ÀÌ ¼ÒÇÁÆ®¿þ¾î¸¦ »ç¿ëÇÑ´Ù.
Using HDCD1, a recording engineer can record
the music at a higher resolution than on a standard CD. HDCD-encoded CDs
have 20-bit resolution compared with the 16-bit for ordinary CDs. This
gives a greater dynamic range, a more focussed, spatial image and a more
musical timbre. The HDCD software option is available for all versions
of the AV30R.
HDCD?, High Definition Compatible Digital?
and Pacific Microsonics¢â are either registered trademarks or trademarks
of Pacific Microsonics, Inc. in the United States and/or other countries
TAG McLaren Room EQualisation
- TMREQ
AV192R¿¡ Á¦°øµÇ´Â ÀÚµ¿À½Àå¹× ÀνºÅç·¹ÀÌ¼Ç ÀÌÅ¥·¹¾Ö¼Ç
ÇÁ·Î±×·½ÀÌ Á¦°øµÈ´Ù ÀÌ ÇÁ·Î±×·½Àº ÄÄÇ»ÅÍ¿Í ¿¬°áÇÏ¿© ÃÖÀûÀÇ ·ëÆ©´×¹× ½ºÇÇÄ¿ Ã߯ļöƯ¼º ÆÄ¿ö¾ÚÇÁ¹× ±â±âµéÀÇ Æ¯¼º¿¡µû¸¥ ÃÖÀûÀÇ ¼¼ÆÃÀ»
°¡´ÉÇϵµ·Ï ÇØÁÖ¸ç 8ä³ÎÀÇ 96kHz/24-bit ¿Àµð¿À ¼Ò¸®Ãâ·ÂÀ¸·Î ÃÖ»óÀÇ »ç¿îµå ¼³Ä¡¸¦ °¡´ÉÇÏ°Ô ¸¸µé¾îÁØ´Ù.
is a comprehensive, 8-channel, 96kHz/24-bit
audio equalisation package that allows you to compensate for the detrimental
influences of room acoustics and loudspeaker response, producing a sound
field that is far more natural and faithful to the original production.
The sound you hear from your Home Cinema system
is a combination of the direct sound from the loudspeakers¡¯ drive units,
reflections of the loudspeakers¡¯ output from the walls, floor, ceiling
and furniture of the room, acoustic resonances of the room and resonances
in the loudspeakers¡¯ cabinets, both direct and reflected. As a result
of all these contributions to the sound, what arrives at your ears is
very different from the waveform that is sent to the loudspeakers.
Here is the in-room response of a loudspeaker
showing variations of more than 10dB, despite having an almost perfectly
flat response when placed in an anechoic test chamber. The flat response
is gone, the room is interacting with the sound.
Equalisation allows us to correct many of these
distortions and get much closer to the sound that was recorded. The main
role of equalisation is to attenuate areas where there are room induced
peaks in the response, which has the added benefit that loudspeakers and
amplifiers will not have to work as hard at these frequencies, reducing
distortion
MPEG-2 Software Option
MPEG-2 ¼ÒÇÁÆ®¿þ¾î ¾÷±×·¹ÀÌµå ¿É¼ÇÀ¸·Î ÄÄÇ»Å͸¦
À§ÇÑ ¾÷±×·¹ÀÌµå ¶Ç´Â ±âº» ÀåÂøÀÌ µÇÀÖ´Ù.
Some might remember that MPEG-2 was once destined
to become the only sound format for European DVDs, with Dolby Digital
being limited to other parts of the world. Fortunately, this decision
was quickly overruled by market forces. In actual fact, very, very few
MPEG-2 encoded DVDs ever made it into the shops.
Nevertheless, if you own one of these rarities,
then this option is for you.
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