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TAG McLaren(Åױ׸ƶó·») [AV192R VSM2048] - AV ÇÁ·Î¼¼¼­
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Á¦Á¶»ç TAG McLaren(Åױ׸ƶó·»)
ºê·£µå Tag Mclaren    ºê·£µå¹Ù·Î°¡±â
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TAG McLaren Audio AV192R

ÇöÁ¸ÇÏ´Â ÃÖ°íÀÇ AVÇÁ·Î¼¼¼­ÀÔ´Ï´Ù. AVȯ°æ¿¡¼­ ´©¸± ¼ö ÀÖ´Â ¸ðµç ±â´ÉÀÌ µé¾î°¡ ÀÖ½À´Ï´Ù. ¼³Ä¡ Àå¼ÒÀÇ À½ÇâÀû ¹ë·±½º¿¡ °¡Àå Å« ¿µÇâÀ» ¹ÌÄ¡´Â ÁßÀú¿ªÀ» ºÐ¼®ÇÏ¿© ÃÖÀûÀÇ ¼¼ÆÃ °ªÀ» ã¾Æ³» ÁÖ¸ç PC¿Í ¿¬°áÈÄ TAG McLaren's Room EQualisation Program TMREQÀ» ÀÌ¿ëÇÏ¿© ½Ãû°ø°£Àº ºÐ¼®¹× ÃÖÀûÀÇ Ã»Ãë ÇѰæÀ» Á¦°ø Çϰí ÀÖÀ¸¸ç VSM2048 ¿µ»óºñµð¿À ¾÷ ½ºÄÉÀϸµ ¿µ»ó ÇÁ·Î¼¼¼­ ¿Í PSM192ÀÇ ÃÖ»óÀÇ ÇÁ·Î±×·¹½Ãºê ĨÀ» ÀåÂøÇÏ¿© ¿µ»ó ÇÁ·Î¼¼¼­·Î½áÀÇ ¼º´É¿ª½Ã ÃÖ°íÀÌ´Ù. ±×¸®°í AVÇÁ·Î¼¼¼­ ÃÖÃÊ·Î DIV ¼¿·ºÅÍ ±â´ÉÀ» Ãß°¡ ÇÏ¿© ÀԷ°ªÀÇ ½ºÀ§Äª ¹× ¿µ»ó ÇÁ·Î¼¼½ÌÀÌ °¡´ÉÇÏ´Ù.
ÀÌ´Â ÀÇ¿ÜÀÇ °­·ÂÇÑ ±â´ÉÀ¸·Î ±ÍÇϲ²¼­ È­ÁúÀÌ ³·Àº VCRÀ» ¿¬°á ½ÃûÇÏ½Å´Ù ÇØµµ ¿øº»ÀÇ ¿­¾ÇÇÑ È­ÁúÀ» ÃÖ´ëÇÑ ±ú²ýÇÏ°Ô Ãâ·ÂÇØ ÁÖ¸ç DVD¸¦ Àç»ýÇÒ ¶§´Â ´õ¿í ¼±¸íÇÑ È­ÁúÀ» Áñ±æ ¼ö ÀÖ½À´Ï´Ù. ¶ÇÇÑ DVIÃâ·ÂÀÌ ¿©·¯°³Àΰæ¿ì °í¼º´É ½ºÀ§Ã³ ¿ªÈ°µµ ÇÑ´Ù ¿¹¸¦ µé¾î DVDÀÇ DVI Ãâ·Â , HD¼ÂÅé¹Ú½º, PCµîÀÇ DVI¸¦ ÅëÇÕ ÄÁÆ®·Ñ ¹× ÇÁ·Î¼¼½ÌÀÌ °¡´ÉÇÏ´Ù. °íǰÀ§ µð½ºÇ÷¹ÀÌ ÀåÄ¡¿¡¼­ ±× È¿°ú´Â ¸íÈ®ÇÏ°Ô ±¸ºÐµË´Ï´Ù.
»ç¿îµå¿¡¼­µµ Ç® ¹ë·±½ºµå ½ÅÈ£ °æ·Î´Â À½Çâ ½ÅÈ£ ¶óÀÎ»ó¿¡ À¯ÀԵǴ ¹Ì¼¼ÇÑ ÀâÀ½À» Á¦°ÅÇØ ÁÝ´Ï´Ù. THX2 ¿ïÆ®¶ó¸¦ Áö¿øÇϰí ÀÖÀ¸¸ç ÇöÁ¸ÇÏ´Â ¸ðµç Æ÷¸äÀ» Áö¿øÇϰí ÀÖÀ¸¸ç ÃÖ°íÀÇ ÇÁ·Î¼¼½Ì ´É·ÂÀ» ¹ßÈÖ Çϰí ÀÖ½À´Ï´Ù. AV192RÀÇ ±ú²ýÇϰí ź·Â ³ÑÄ¡´Â »ç¿îµå´Â ±ÍÇϸ¦ ±¸º°µÈ Ȩ¾¾¾îÅÍÀÇ ¼¼°è·Î ÀεµÇØ µå¸± °ÍÀÔ´Ï´Ù.

* AV192RF ¸ðµ¨Àº AV192R ÀÇ Ç®¿É¼Ç ¸ðµ¨·Î ¿µ»óÇÁ·Î¼¼¼­¸¦ Á¦¿ÜÇÑ ¸ðµç ¿É¼ÇÀÌ Æ÷ÇԵǾî ÀÖ´Â Á¦Ç°ÀÔ´Ï´Ù.

ÃÖ°í ±ÇÀ§ÀÇ ¸ðÅÍ ½ºÆ÷Ã÷ÀÎ Formula 1ÀÇ ¸í¹®ÆÀ McLaren Mercedes¿Í Á¤¹Ð°øÇÐÀÇ ¼±µÎÁÖÀÚ TAG HEUER»ç¿¡¼­ ÇÕÀÛ ¿Àµð¿À Á¦ÀÛ»çÀÎ TAG McLaren »ç´Â ½ºÆ÷Ã÷Ä«ÀÇ ÇÙ½É ±â¼úÀÎ ¹°¸®Çаú ÀüÀÚÁ¦¾î, ±â°è°øÇÐ,Ç×°ø ±â¼úµîÀÇ º¸À¯ ±â¼úÀ» ¹ÙÅÁÀ¸·Î ÃÖ°íÀÇ À½Çâ ¿µ»ó ±â¼úÀ» ÀÌ·ç¾î ³»¾ú½À´Ï´Ù. Á¦Ç°ÀÇ ¿ªµ¿ÀûÀÎ µðÀÚÀÎÀº ¼³Ä¡Àå¼Ò¿¡ ±ÍÁ·ÀûÀÎ ¿ì¾ÆÇÔÀ» ¼±»çÇØ ÁÖ¸ç, Á¤ÀûÀÎ °ø°£¿¡ Ȱ±âÂù »ý¸í·ÂÀ» ÁÝ´Ï´Ù. TAGMcLarenÁ¦Ç°µéÀº TAGtronic comunication Bus¸¦ ÅëÇØ »óÈ£ Á¤º¸¸¦ ±³È¯ÇÕ´Ï´Ù. °£´ÜÇϰԴ On/Off ±â´É¿¡¼­ºÎÅÍ DVDP¿Í Processor°£¿¡ ¹ß»ýÇÏ´Â ÁöÅ͸¦ °¨¼âÇϸç, È­¸é°ú À½ÇâÀÇ LipSync¸¦ ¿Ïº®ÇÏ°Ô ÀÏÄ¡ ½ÃŰ´Â ³î¶ó¿î ¿¬µ¿¼ºÀ» °¡Áö°í ÀÖ½À´Ï´Ù. ºü¸£°Ô º¯ÇÏ´Â ÃÖ½ÅÀÇ µðÁöÅ» Æ÷¸ËµéÀº ÀÎÅͳÝÀ» ÅëÇØ Áö¼ÓÀûÀ¸·Î ¾÷±×·¹À̵å ÇÒ ¼ö ÀÖ½À´Ï´Ù. TAGMcLaren ¿Àµð¿ÀÀÇ ¿ì¼öÇÑ ¹ë·±½ºÀÇ À½Çâ°ú dz¿ä·Î¿î ¿µ»ó¹Ì¸¦ ÅëÇØ Áñ°Å¿î ¿©°¡ »ýȰÀ» Áñ°Ü º¸½Ã±â ¹Ù¶ø´Ï´Ù.
 
TAG McLaren Audio AV192R ?
 

AV192RÀº ·çÄ«½º Çʸ§ÀÇ THX ¿ïÆ®¶óX ÀÎÁõÀ» ¹ÞÀº ¸ðµ¨·Î Çö´ëÀÇ ÇÏÀÌ¿£µå AV ÇÁ·Î¼¼¼­¸¦ ´ëÇ¥ÇÏ´Â Á¦Ç°ÀÔ´Ï´Ù. VSM 2048¸¦ ÀåÂøÇÏ¿© ¿Àµð¿ÀÇÁ·Î¼¼¼­»Ó ¾Æ´Ï¶ó ¿µ»óÇÁ·Î¼¼¼­ ±â´É±îÁö °°ÀÌ »ç¿ëÀÌ °¡´ÉÇÑ Á¦Ç°À¸·Î ÃÖ°íÀÇ AVÇÁ·Î¼¼¼­¶ó ¸»ÇÒ¼ö ÀÖ´Ù. ¶ÇÇÑ ´Ù¾çÇÑ ¾÷±×·¹À̸¦ Áö¿øÇϰí ÀÖÀ¸¸ç ÃßÈÄ ¼¼·Î¿î Æ÷¸äµî¿¡ ´ëÀÀÇÏ¿© Ãß°¡Àû ¾÷±×·¹À̵尡 °¡´ÉÇÏ´Ù. ¶ÇÇÑ 6ü³Î ¹ÙÀÌÆä½º ÀԷ´ÜÀ» Ãß°¡ÇÏ¿© DVDAUDIO, SACD¸¦ ¿Ïº®È÷ ȣȯ Çϰí ÀÖ½À´Ï´Ù.
¾Æ³¯·Î±× ȸ·ÎºÎ¿¡´Â ¾ÈÁ¤¼ºÀ¸·Î À̸§ ³ôÀº ºñ¼ÎÀÌ ÀúÇ×À» ºñ·ÔÇØ ÃÖ°í±ÞÀÇ ºÎǰÀÌ ÅõÀÔ µÇ¾ú½À´Ï´Ù.
DVD32R °ú µ¿±âÈ­½ÃÄÑ ÁöÅ͸¦ ÃÖ¼ÒÈ­ÇÏ´Â ÅÃÆ®·Î´Ð T2L ¸µÅ©±îÁö ¸¶·ÃµÇ¾î ÀÖÀ¸¸ç ÇÏ·ç°¡ ´Ù¸£°Ô º¯È­ÇÏ´Â ¼­¶ó¿îµå Æ÷¸Ë¿¡ ´ëÇÑ ´ëÇÑ Áغñµµ öÀúÇÑ Á¦Ç°ÀÔ´Ï´Ù. ƯÈ÷ AV192R ¿µ»ó°ú À½¼ºÀ» ¿Ïº®ÇÏ°Ô ÇÁ·Î¼¼½ÌÇØÁÖ´Â ÃÖ°í±Þ ÇÏÀÌ¿£µå ÇÁ·Î¼¼¼­·Î ±× Ưº°ÇÑ °¡Ä¡¸¦ ´À²¸ º¸¼¼¿ä.


ÁÖ¿ä Æ¯Â¡


-Video ÇÁ·Î¼¼¼­(VSM 2048)ÀåÂø - Component, S-VHS, Composite, DVI ½ºÀ§Ã³ ±â´É
-720P Áö¿ø(HD TV)
-7.1¾Æ³ª·Î±× ¹ÙÀÌÆÐ½º ±â´É
-THX Ultra2 Áö¿ø
-Balanced Input/Output
-Back-up Manager for Window
-250m Lip Sync Delay
-TMR EQ±â´É
-NTSC,PAL,SECOM ¸ðµÎ Áö¿ø
-¸ðµç ¿É¼Ç Ä«µå Àü¿øºÎÀÇ ¿ÏÀü µ¶¸³
-¿ÜºÎ Àåºñ¸¦ À§ÇÑ ÇÁ·ÐÆ® ÆÐ³Î ÀÎÅÍÆäÀ̽º

 
AV 192R Á¦Ç°±º
ÁÖ ¿ä ±â ´É
AV192RF AV192RF´Â 192RÀÇ Ç®¿É¼ÇÀ¸·Î ¿µ»óÇÁ·Î¼¼¼­ ¸¦ Á¦¿ÜÇÑ ¸ðµç ±â´ÉÀÌ Æ÷ÇԵǾî ÀÖ´Â Á¦Ç°ÀÌ´Ù. 7ü³Î XLR, µ¹ºñÇìµåÆù, RS232, AC-3 µî ¶óµð¿À¿Í ¿µ»óÇÁ·Î¼¼¼­¸¦ Á¦¿ÜÇÑ ¸ðµç ¿É¼ÇÀÌ Æ÷ÇÔµÈ Á¦Ç°
AV192RFT AV192RF Ç®¿É¼Ç Á¦Ç°¿¡¼­ FM ¶óµð¿À ±â´ÉÀÌ Ãß°¡µÈ ¸®½Ã¹öÇü ÇÁ·Î¼¼¼­
AV192R VSM2048 AV192RF Ç®¿É¼Ç¿¡ VSM2048 ¿µ»ó ÇÁ·Î¼¼¼­ ¿Í PSM192 ÇÁ·Î±×·¹½Ãºê ¸ðµâ ¹× °¢Á¾ ¿µ»ó ½ºÀ§Ã³°¡ Ãß°¡ ÀåÂøµÈ ¿µ»ó,À½¼º ÇÁ·Î¼¼¼­

AV192RF/RFT/VSM2040 ÁÖ¿ä ¿É¼Ç (¿É¼Ç¹× ¾÷±×·¹À̵å´Â ÇÏ´Ü ÂüÁ¶)
- Dolby ÇìµåÆù ¼ÒÇÁÆ® ¿þ¾î ¿É¼Ç
(±âº»ÀåÂø)
- RS232/IR TX Controller ¿É¼Ç
- Dolby Pro Logic IIx À½Àå ¸ðµå Áö¿ø
- XLR Balanced Outputs
- RGBS/Component Switcher
- AC3-RF Demodulator Hardware Option
- HDCD? Software Option
- TAG McLaren Room EQualisation - TMREQ
- FM Radio (AV192RFT , AV192R+VSM2040¿¡ ÀåÂø)
- Video Scaler VSM2048 ¿µ»ó ÇÁ·Î¼¼¼­ (AV192R+VSM2040¿¡ ÀåÂø)
- Progressive Scan Module PSM192 ÇÁ·Î±×·¹½Ãºê ¸ðµé ¹× - ¿µ»óÃâ·Â½ºÀ§Ã³ (AV192RF+VSM2040¿¡ ÀåÂø)
- DVI Switcher Option (AV192RF+VSM2040¿¡ ÀåÂø)
 
AV192R ÁÖ¿ä ¿É¼Ç
* DAB µðÁöÅÐ ¶óµð¿À ¿É¼Ç (±¹³» ÇØ´ç»çÇ× ¾øÀ½)
Much has been written about DAB Digital Broadcast, the new radio system, adopted by many countries to push radio broadcasting into the digital future. DAB Digital Radio, provides noise-free reception, additional programmes and extended digital data services.
 
TAG McLaren has always been a keen supporter of Digital Radio. We demonstrated this when launching our T32RDAB, which was the first tuner combining AM/FM with Digital Radio. We are proud that the hard work which went into the T32R has been appreciated by the many radio stations who use the T32R as their reference and by many audio critics who consider the T32R to be possibly the best radio in the world.


 * Dolby ÇìµåÆù ¼ÒÇÁÆ® ¿þ¾î ¿É¼Ç

Doldy ÇìµåÆù ¿É¼ÇÀº ÀÏ¹Ý ÇìÆ®ÆùÀ¸·Î ¿©·¯°³ÀÇ ½ºÇÇÄ¿·Î ¿¬ÁÖ¸¦ Çϰí ÀÖ´Â ¸®½Ã´× ·ëÀÇ È¿°ú¸¦ Ç¥ÇöÇϱâ À§ÇØ ¸¸µé¾îÁø µ¹ºñµðÁöÅлçÀÇ ÇØµåÆùÀ½Áß ¸ðµåÀÔ´Ï´Ù. ÀÌ À½Àå ¸ðµå¸¦ »ç¿ëÇÑ´Ù¸é ÇØµåÆùÀ¸·Îµµ 5.1ä³ÎÀÇ ½ºÇÇÄ¿¿¡¼­ µè´Â ´À³¦À» ÇØµåÆùÀ¸·Îµµ °¨»óÀÌ °¡´ÉÇÕ´Ï´Ù.


Wouldn't it be great to be able to crank up your home cinema system without bothering your neighbours? Well, now the performance of the AV192 will allow you to do that:

Dolby Headphone is a revolutionary signal-processing system that can take up to five channels of audio from any source and make it almost sound like it's coming from that many speakers in a real listening room. The ¡®in your head' effect of regular headphone listening is replaced by a spacious, natural soundfield.
The following is courtesy Dolby¡¯s website (www.dolby.com).

Dolby Headphone's powerful signal-processing algorithm generates a host of audio cues modelled from real life, from which our ears and brain derive a three-dimensional sound image. When you listen to a 5.1 sources you hear the sound of five speakers: three in front of you, and a surround speaker to each side. When you listen to stereo material, you hear the sound of two speakers not at your ears, but out in front of you.

Because of the way Dolby Headphone Technology works and the power of its signal processing, Dolby Headphone technology can model the sound of a playback system in up to three different listening environments, based on acoustic measurements of real rooms:


DH1 is a small, well-damped room appropriate for both movies and music-only recordings. It is the Dolby Headphone "Reference Room".


DH2 is a more acoustically live (or "wet") room particularly suited to music listening, but also great for movies.


DH3 is a larger room, more like a concert hall or movie theater.


* RS232/IR TX Controller ¿É¼Ç

RS232 Æ÷Æ®¸¦ ÀÌ¿ëÇÏ¿© Å×Å©Àü¿ë TAGtronic Bus ÄÁÆ®·ÑÀ̳ª ´Ù¸¥ ¸í·ÉÀ» ¼öÇàÀÌ °¡´ÉÇϸç ÀÌ RS232Æ÷Æ®¸¦ ÀÌ¿ëÇÏ¿© AV192R °ú PC¿Í ¿¬°áÀÌ °¡´ÉÇÏ¿© PC¸¦ ÀÌ¿ëÇÏ¿© AV192R ÀÇ Á¶ÀÛÀÌ °¡´ÉÇÏ´Ù.

The unique RS232/IR TX Controller allows the AV192R to control 3rd party products either via RS232, TAGtronic Bus or infrared remote commands.

The Controller also allows comprehensive control of the AV192R via a PC or any RS232 based system controller, such as those available from AMX or Crestron.

The AV192R¡¯s RS232/IR TX Controller results in an unparalleled system integration with functionality unmatched by any AV processor currently available.

The RS232/IR TX Controller is a self contained microcontroller-based expansion module which can be fitted to your AV192R at any time. The Explanations given will allow novices in system integration to start their first application whilst offering solutions to experts¡¯ integration tasks.

Click here to read all about the fascinating world of the RS232/IR TX Controller...

 
* Video Scaler VSM2048 ¿µ»ó ÇÁ·Î¼¼¼­

ÀÌ ¿µ»ó ÇÁ·Î¼¼¼­´Â AV192R¿¡ ³»ÀåµÇ¾î ÀԷµǴ ½ÅÈ£¸¦ ¾÷½ºÄÉÀϸµ ÇØ Ãâ·ÂÇÏ´Â ±â´ÉÀ» °¡Áö°í ÀÖ´Ù ¿¹¸¦ µé¾î DVDÀÇ 480i ÀÇ ½ÅÈ£¸¦ ¾÷½ºÄÉÀϸµ ÇÏ¿© 1080i ·Î ¿µ»ó ÇÁ·Î¼¼½ÌÀÌ °¡´ÉÇÏ´Ù. ÀÌ·¯ÇÑ ±â´ÉÀ¸·Î È­ÁúÀÌ ¶³¾îÁö´Â ¿µ»óÀ» ÃÖ°í±Þ °íÈ­Áú ¿µ»óÀ¸·Î º¯È¯ÀÌ °¡´ÉÇÑ ¿µ»ó ÇÁ·Î¼¼¼­°¡ Ãß°¡ µÇ¾î ÀÖ´Ù.

this product is not released yet - more details closer to launch all details are subject to change without notice

The AV192R can be equipped with the state-of-the-art Video Scaler Module VSM2048.

VSM2048 scales
NTSC progressive 480p,
PAL progressive 576p,
HDTV progressive 720p &
HDTV interlaced 1080i
video inputs to output resolutions that suit your display device.
 
Progressive Scan Module PSM192 ÇÁ·Î±×·¹½Ãºê ¸ðµé ¹× ¿µ»óÃâ·Â½ºÀ§Ã³
 

AV192R¿¡ ³»ÀåµÇ¾î ÀÖ´Â PSM192 ÇÁ·Î±×·¹½Ãºê ĨÀº ÃÖ°íÀÇ ÇÁ·Î±×·¹½Ãºê ¿µ»ó ĨÀÌ ºÎÂøµÇ¾î ÀÖÀ¸¸ç DVIÃâ·Â ½ºÀ§Ã³ ¹× RGB ½ºÀ§Ã³¿Í ÃÖ»óÀÇ ¿µ»ó ÇÁ·Î¼¼¼­ ¹× PSM192ÀÇ ³»ÀåÀ¸·Î ´Üǰ ¿µ»ó ÇÁ·Î

¼¼¼­ÀÇ ¼º´ÉÀ» ÃÊ¿ùÇÏ¸ç °¡Àå ¶Ù¾î³ª¸ç ¾ÈÁ¤ÀûÀÎ ¿µ»óÀ» Ãâ·ÂÇÏ¿© ÁØ´Ù. ÀÌ¿Í °°Àº ¿Ïº®ÇÑ ¼º´ÉÀÇ ÇÁ·Î±×·¹½Ãºê ½ºÄË ¸ðµâÀ» ÀåÂøÇÏ¿© °¡Àå ÀÌ»óÀûÀ̸鼭 Çʸ§¶óÀÌÅ©ÇÑ ¶Ù¾î³­ ¿µ»óÃâ·ÂÀÌ °¡´ÉÇÏ´Ù.
The PSM192 is a latest-technology de-interlacer, which examines the incoming video fields of an interlaced video signal to determine which fields can be recombined to produce an output with maximum vertical resolution and minimal motion artefacts. This option can be added at any time - even in the field.
 
Ordinary (interlaced) video splits each image into two fields, broadcast 1/50s (PAL) or 1/60s (NTSC) apart. This saves bandwidth, but has major disdvantages:

Flicker, due to the lines of one field fading as the lines of the next field are drawn.

Line structure, which becomes visible on larger screens.

Motion artefacts as the objects being displayed will be in different positions in each field - they get serrated edges (see example above) if moving horizontally, for example, while fine horizontal lines may disappear completely if moving vertically at the right (or should that be wrong?) speed.

Progressive Scan Module PSM192 conquers problems associated with deinterlaced video, providing a picture quality unseen before.

Installed in the AV192R the PSM192 de-interlaces all analog (interlaced) video sources connected via the AV192R's Composite, S-video or RGBS/Component Switcher inputs.

The PSM192's analog progressively scanned video output is routed to the RGBS/Component Switcher's video outputs, where it can be configured as RGsB, RGBS, RGBHV or YPbPr.

 

 
The PSM192 uses its own power supply circuitry which will automatically be specified when selecting the PSM192 option. This auxiliary power supply consists of its own transformer, rectifier and voltage regulators and is, for best performance and minimal cross-talk, completely independent of the AV192R ¡®normal¡¯ power supply circuitry.

The PSM192 requires an RGB Progressive / Scaler Interface to connect to the RGBS/Component Switcher; it will automatically be specified when selecting the PSM192. The PSM192 also offers a digital video output (DVI 1.0).

If the optional Video Scaler VSM2048 is installed the PSM192's digital video DVI output is directly routed to the scaler for further processing.

DVI Switcher Option

ÃÖ»óÀÇ µðÁöÅÐ ¿µ»ó ±¸ÇöÀ» À§ÇÏ¿© DVI ½ºÀ§Ã³ ¿É¼ÇÀ» °¡Áö°í ÀÖ½À´Ï´Ù. (¿µ»ó ÇÁ·Î¼¼¼­ VSM 2048 ÀåÂø ÇÏ¸é ±âº» Á¦°ø) ÀÌ DVI ½ºÀ§Ã³ ±â´É ¹× ¿µ»ó ¾÷½ºÄÉÀÏ ±â´ÉÀ» °¡Áö°í ÀÖÀ¸¸ç ¿µ»ó Ãâ·ÂÀº HDCP¸¦ Áö¿øÇϰí ÀÖÀ¸¸ç ¶ÇÇÑ ÃÖ±Ù ¼¼·Î¿î µðÁöÅÐ ¿µ»óÀ½¼ºÃâ·Â Æ÷¸ËÀÎ HDMI Ãâ·ÂÀ» Áö¿øÇϰí ÀÖ´Ù.


The DVI Switcher will add even more exciting capabilities to the AV192R. At its most basic, it provides a means of switching one of two DVI sources to a DVI output, with HDCP support. It also allows either of the DVI sources to be routed to the VSM2048 scaler for processing. The DVI switcher will also support the forthcoming HDMI audio/video digital interconnection protocol by means of an additional optional plug-in module, which will be offered after the protocol has been finalised and the required interface devices become commercially available.However, the DVI switcher has a much more important function: it allows full resolution transfer of digital video data plus up to 8 channels of digital audio data from the DVD192R to the AV192R - including DVD-Audio data at its full bandwidth and resolution. The data is transferred over a TAG McLaren proprietary, encrypted link. The link uses DVI cables, but the protocol, coding scheme and signal allocations are unique to TAG McLaren to guarantee that the integrity of the video and audio data is preserved. The connection even uses the TAGtronic Sync Link for the lowest possible jitter.Finally, the full potential of digital sources can be realised, unencumbered by unnecessary analog conversions or artificially reduced resolution. More details will be published closer to the product¡¯s release date.

Dolby Pro Logic IIx À½Àå ¸ðµå Áö¿ø

AV192R¿¡´Â µ¹ºñÇÁ·Î·ÎÁ÷ 2X°¡ ÀåÂøÀÌ µÇ¾î ÀÖ½À´Ï´Ù. ÀÌ¹Ì ÇÁ·Î·ÎÁ÷2 À½Àå¸ðµå´Â ¸ÖƼü³Î¿¡¼­ ÃÖ°íÀÇ À½Àå¸ðµåÀû ¼º´ÉÀ» Áö´Ï°í ÀÖÀ¸¸ç À̰ÍÀ» ¹ßÀüÇÏ¿© ÇÁ·Î·ÎÁ÷2X À½Àå¸ðµå°¡ ¾÷±×·¹À̵å ź»ýÇÏ¿´°í AV192R¿¡´Â ÀåÂøµÇ¾î ÀÖ½À´Ï´Ù.
7.1ü³Î¿¡ °¡ÀåÀÌ»óÀûÀÎ µ¹ºñ ÇÁ·Î·ÎÁ§ ¸ðµå·Î ÃÖ»óÀÇ À½ÁúÀ» Àç°øÇÒ°Í ÀÔ´Ï´Ù.

processors leaving the factory after 1st September 2003 will include a voucher to upgrade the AV192R free of charge or have Pro Logic IIx already installed.

Pro Logic II, already one of the best processing modes to produce multi-channel sound from stereo sources, has just got even better!

Pro Logic IIx takes Pro Logic II processing into the 7.1 arena, taking full advantage of the back channels that are becoming part of many advanced Home Cinema installations.

5.1 Set-ups also benefit, as Dolby¡¯s designers decided to fine-tune Pro Logic IIx to improve sound quality for 5.1 home cinema installations too..

Finally for all ¡®gamers¡¯, be it 5.1 or 7.1, the new sound format Pro Logic IIx Game is added which can make gaming even more realistic. Pro Logic II is praised for its natural sound, avoiding the artificiality that can blight some attempts to generate multi-channel presentations from stereo sources. This is due in part to the newly developed approach in steering logic design, which affords unprecedented smoothness and precise dynamic behaviour. Another factor is the lack of signal coloration achieved by employing the simplest audio path, with as little filtering of the audio as possible.

Pro Logic IIx allows the already highly sophisticated Pro Logic II algorithms to process native stereo and 5.1-channel content to produce 6.1 or 7.1 output channels.

Pro Logic IIx is a combination of the acclaimed Pro Logic II processing and Dolby? Digital Surround EX¢â, with a few extra wrinkles thrown in for best sound quality - be it 5.1, 6.1 or even 7.1.

Pro Logic IIx processing can be applied to all two channel sources, plus Dolby Digital 5.1, DTS 5.1 and even material encoded with Dolby Digital Surround EX or DTS-ES Matrix.

All the current features of Pro Logic II are retained, including the Centre Width control and the Panorama mode. The Centre Width control is ideal for reducing the ¡°hard Centre channel¡± phenomenon that sometimes results from Centre signal steering of stereo encoded soundtracks, whilst the Panorama mode creates an even more enveloping front surround field.

Music mode and Movie mode.

As with Pro Logic II, there are Music and Movie modes in Pro Logic IIx.

Surround programs are primarily movie based. Even TV dramas are essentially mixed like movies. When programs are mixed in surround, they are monitored through the surround decoder that will be used for playback in the cinema or home. Movie mode is the reference decoder mode for any such surround-encoded program.

Music, on the other hand, is commonly mixed for stereo playback, and no surround monitoring is done by the mixer. When played back through a surround decoder, the results may not always be optimal. This is because a movie-type decoder is expecting a signal that has been deliberately surround encoded. Music mode brings the benefits of a highly natural and balanced multichannel surround sound field to content that was not specifically encoded for surround playback.

Speaker configuration

Speaker types and configurations for a 7.1 system have prompted much discussion. At TAG McLaren we have found that using direct radiators all around gives excellent results, though using bipolar speakers for the Surround channels can be highly beneficial if they are close to the audience.

Dolby suggest the layout shown above, and have themselves found that direct radiators often provide maximum clarity and detail and recommend their use.

Game Mode

Pro Logic IIx adds a special ¡°Game Mode¡±, allowing those who use their Home Cinema systems to enjoy video games to get an even better gaming experience. The Game mode is specially tuned to ensure that the full bass impact from surround effects in a game are delivered to the subwoofer - explosions shake the room like never before!

XLR Balanced Outputs

TAV192R Àº RCA 7.1ä³Î À̿ܿ¡ XLR ¹ß¶õ½º Ãâ·ÂÀ» ¿É¼ÇÀ¸·Î Áö¿øÇϰí ÀÖÀ¸¸ç ÀÌ XLR Ãâ·ÂÀº ±âº»ÀÇ RCAÃâ·Â¿¡ ºñÇÏ¿© ¾ÈÁ¤ÀûÀÌ¸ç ¶Ù¾î³­ °íǰÀ§ À½ÁúÀ» ¼±»ç ÇÒ°Í ÀÔ´Ï´Ù.

The AV192R can be - at any time - upgraded to provide ¡®7.1' balanced XLR outputs.

These are in addition to the standard ¡®7.1' single-ended outputs. Both single-ended and balanced outputs can be used at the same time and have been calibrated to offer identical amplification, making them also well suited for bi-amplification set-ups.

Why should I add this option?

It is possible for a current to flow between the ground connections of the AV192R and its connected power amplifiers, caused by electro-magnetic interference or ground potential differences. With a single-ended connection this current is indistinguishable from the signal and hence can become audible as a hum or buzz. The problem is usually referred to as ground loops and can be overcome by using this XLR Balanced Output option.

This option is recommended for those who experience ground loop problems or those who want to achieve the best signal to noise ratio possible!

A major advantage of balanced interconnection is the complete suppression of ground-loop problems. Balanced inputs use three conductors, one for the ground and two for the balanced signal.

The balanced input at the amplifier does not respond to the voltage between the input signals and ground, which could be altered by a ground loop, but to the voltage difference between the two conductors carrying the signal.

RGBS/Component Switcher

TAV192R¿¡´Â ÄÄÆÛ³ÍÆ® ¿µ»ó¹× RGB¿µ»ó ÀÔÃâ·ÂÀÌ °¡´ÉÇϸç À̰ÍÀ» ÀÌ¿ëÇÏ¿© ½ºÀ§Ã³ ±â´ÉÀÌ °¡´ÉÇÏ´Ù. ÄÄÆÛ³ÍÆ®/RGB 4°³ÀÇ ÀԷ°ú 1°³ÀÇ ¿µ»ó Ãâ·ÂÀ¸·Î ±¸¼ºµÇ¾î ÀÖ´Ù. ¶ÇÇÑ OSD ¿µ»óÀÌ ÄÄÆÛ³ÍÆ®³ª RGB ¿µ»óÃâ·ÂÀ¸·Î °°ÀÌ Á¦°øµÇ¿© È­¸éÀ» º¸¸é¼­ ÇÁ·Î¼¼¼­ÀÇ ¼¼ÆÃÀÌ °¡´ÉÇÏ´Ù.

The AV192R can be equipped with a 4 to 1 RGBS video switcher. This allows the switching of up to four RGBS/component video sources of up to approx. 200 MHz to a common video output, usually the display device.

The AV192R offers full support of RGBS, i.e. RGB with separate Sync, which is very common in Europe (SCART1). It works equally well with YPbPr, common in the USA.

Two of the input sets use digital RCA, the most common connector found on DVD players and other video sources today. For added performance the third set has been assembled with 75 Ohm BNC connectors providing true impedance matching, essential for high frequency signals.

In addition, the RGB Input Switcher includes an HDTV (HD15) input which can also be routed to the output.

All video signals can be passed through the optional Progressive Scan Module PSM192 and Video Scaler VSM2048, then offering YPbPr, RGsB or RGBHV video output formats.

OSD on RGBS/Component

AV192R equipped with the Progressive Scan Module PSM192 can generate on-screen text on the RGBS/Component Switcher and PSM192 DVI outputs.

SCART to RCA/BNC cables are readily available

FM Radio

AV192R¿¡ FM ¶óµð¿À ¿É¼ÇÀ» ÀåÂøÇÒ°æ¿ì °íǰÀ§ ¶óµð¿À°¨»óÀÌ °¡´ÉÇÏ´Ù.

TAG McLaren¡¯s radio technology, analog or DAB digital radio, is well regarded: in actual fact, some consider our T32R to be the world¡¯s best radio!

The AV192R's FM radio is based on the encapsulated module first used in our hi-performance system Aphrodite. This module has been derived from the T32R FM circuitry, but has been voiced by our Golden Ears to be slightly ¡®more forgiving¡¯ if a station doesn¡¯t broadcast the ultimate signal quality. A wise decision, in our opinion, if you listen to more than just BBC Radio 3.

The AV192R¡¯s FM radio offers excellent FM reception and is, for added flexibility, equipped with two, electrically identical, FM antenna inputs. This allows, for example, connection to a conventional outdoor FM antenna and an FM cable distribution system.

RDS functionality and station memories make tuning and station selection very easy.

Station name and scrolling radio text can be displayed on the AV192R's front panel or on-screen display.

Combined with the Standby / Wakeup Timer, included with all AV192R, the FM radio becomes the ultimate clock radio!

AC3-RF Demodulator Hardware Option

AV192R¿¡ AC-3 µðÄÚ´õ ÀåÂøÀ¸·Î ·¹ÀÌÀú µð½ºÅ©µîÀÇ AC-3 5.1ü³ÎµîÀÇ µðÁöÅÐ ½ÅÈ£ÀÇ ÀÔ·ÂÀÌ °¡´ÉÇÏ´Ù. ´Ü DVDµîÀÇ µ¹ºñµðÁöÅÐ À̳ª DTSµîÀÇ ½ÅÇüÀ½À常 »ç¿ëÇÒ°ÍÀ̶ó¸é ±»ÀÌ ÇÊ¿ä ¾ø´Ù.

This option adds the ability to retrieve Dolby Digital sound from Laser Disks. There are few NTSC Laserdiscs produced in this format. This upgrade is not required for Dolby Digital recorded on DVD.

HDCD? Software Option

°íÀ½ÁúÀÇ CDÀÎ HDCD µðÁöÅÐ µðÄÚ´õ ¿É¼ÇÀ¸·Î ÀÎÅͳÝÀ̳ª ±âº»¿É¼ÇµîÀ¸·Î Á¦°øÇÑ´Ù. HDCD¶õ ÀϹÝCD¿¡ ºñÇØ °íǰÁú·Î ³ìÀ½µÈ CD·Î AV32Rµî°ú °°ÀÌ ¼ÒÇÁÆ®¿þ¾î¸¦ »ç¿ëÇÑ´Ù.

Using HDCD1, a recording engineer can record the music at a higher resolution than on a standard CD. HDCD-encoded CDs have 20-bit resolution compared with the 16-bit for ordinary CDs. This gives a greater dynamic range, a more focussed, spatial image and a more musical timbre. The HDCD software option is available for all versions of the AV30R.

HDCD?, High Definition Compatible Digital? and Pacific Microsonics¢â are either registered trademarks or trademarks of Pacific Microsonics, Inc. in the United States and/or other countries

TAG McLaren Room EQualisation - TMREQ

AV192R¿¡ Á¦°øµÇ´Â ÀÚµ¿À½Àå¹× ÀνºÅç·¹ÀÌ¼Ç ÀÌÅ¥·¹¾Ö¼Ç ÇÁ·Î±×·½ÀÌ Á¦°øµÈ´Ù ÀÌ ÇÁ·Î±×·½Àº ÄÄÇ»ÅÍ¿Í ¿¬°áÇÏ¿© ÃÖÀûÀÇ ·ëÆ©´×¹× ½ºÇÇÄ¿ Ã߯ļöƯ¼º ÆÄ¿ö¾ÚÇÁ¹× ±â±âµéÀÇ Æ¯¼º¿¡µû¸¥ ÃÖÀûÀÇ ¼¼ÆÃÀ» °¡´ÉÇϵµ·Ï ÇØÁÖ¸ç 8ä³ÎÀÇ 96kHz/24-bit ¿Àµð¿À ¼Ò¸®Ãâ·ÂÀ¸·Î ÃÖ»óÀÇ »ç¿îµå ¼³Ä¡¸¦ °¡´ÉÇÏ°Ô ¸¸µé¾îÁØ´Ù.

is a comprehensive, 8-channel, 96kHz/24-bit audio equalisation package that allows you to compensate for the detrimental influences of room acoustics and loudspeaker response, producing a sound field that is far more natural and faithful to the original production.

The sound you hear from your Home Cinema system is a combination of the direct sound from the loudspeakers¡¯ drive units, reflections of the loudspeakers¡¯ output from the walls, floor, ceiling and furniture of the room, acoustic resonances of the room and resonances in the loudspeakers¡¯ cabinets, both direct and reflected. As a result of all these contributions to the sound, what arrives at your ears is very different from the waveform that is sent to the loudspeakers.

Here is the in-room response of a loudspeaker showing variations of more than 10dB, despite having an almost perfectly flat response when placed in an anechoic test chamber. The flat response is gone, the room is interacting with the sound.

Equalisation allows us to correct many of these distortions and get much closer to the sound that was recorded. The main role of equalisation is to attenuate areas where there are room induced peaks in the response, which has the added benefit that loudspeakers and amplifiers will not have to work as hard at these frequencies, reducing distortion

MPEG-2 Software Option

MPEG-2 ¼ÒÇÁÆ®¿þ¾î ¾÷±×·¹ÀÌµå ¿É¼ÇÀ¸·Î ÄÄÇ»Å͸¦ À§ÇÑ ¾÷±×·¹ÀÌµå ¶Ç´Â ±âº» ÀåÂøÀÌ µÇÀÖ´Ù.

Some might remember that MPEG-2 was once destined to become the only sound format for European DVDs, with Dolby Digital being limited to other parts of the world. Fortunately, this decision was quickly overruled by market forces. In actual fact, very, very few MPEG-2 encoded DVDs ever made it into the shops.

Nevertheless, if you own one of these rarities, then this option is for you.

 
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Processing formats
THX Ultra2
THX Surround EX
+ Matrix
Height Channel (v4.1)
TAG McLaren Surround 5/7
TAG McLaren Party Surround
Decoding formats
Dolby Digital
Dolby Pro Logic
Dolby Pro Logic II
for AV192R leaving the factory after 1/9/03: Dolby Pro Logic IIx
DTS / DTS Music
DTS-ES 6.1 Matrix + Discrete
DTS 96/24
DTS Neo:6
Optional formats HDCD
MPEG-2
Dolby Heapdhone
Digital signal processor
Analog Devices 600MFLOPs 21161N SHARC floating point DSP x 2
Digital input frequencies 32kHz, 44.1kHz, 48kHz, 96kHz
Digital input format Coaxial: SPDIF
Optical: EIAJ RC-5720
Digital input connectors Coaxial: phono sockets
Optical: rectangular TOSLINK
Digital input impedance Coaxial: 75Ohm +/-5%
Digital input level
Coaxial: greater than 200mV pk-pk
Optical: -27 to -14.5dBm
Digital output format Coaxial: SPDIF
Optical: EIAJ RC-5720
Digital output connectors
Coaxial: phono sockets
Optical: rectangular TOSLINK
Digital output impedance
Coaxial: 75Ohm +/-5%
Digital output level Coaxial: 500mV pk-pk +/-10% (75Ohm load)
Optical: -18dBm +/- 15%
Analog input connector
phono socket
Analog input impedance
10kOhm +/- 1%
Analog input level
User-configureable between 0.1V & 3.0V rms
Analog input frequency response (+/- 0.5dB) 2Hz - 20kHz
Analog input THD+noise
less than 0.0035%
Analog input channel separation greater than 95dB at 1kHz
Analog input crosstalk rejection greater than 90dB at 1kHz
Analog to digital converter (analog inputs) 20 bit/96kHz 64-times oversampling multi-bit delta sigma ADC
Tape output connector phono socket
Tape output impedance
100Ohm
Tape output gain 0dB (i.e. the tape output level is the same as the analog input level)
Analog output connector
phono socket
Analog output impedance
47Ohm nominal +/- 1%
Maximum analog output level
greater than 3.5V rms (9.0V rms on subwoofer)
Digital to analog converters 24-bit / 192kHz 128-times oversampling multi-bit delta sigma DAC
Analog output frequency response (+/- 0.5dB) 2Hz - 20kHz
Analog output signal to noise ratio greater than 104dB (A-weighted)
Analog output total harmonic distortion + noise (0dB full scale) less than 0.002%
Analog output channel balance less than +/- 0.5dB at 1kHz
Analog output channel seperation greater than 100dB at 1kHz
Analog output volume control steps of +/- 0.5dB
Video bandwidth DC - 4.2MHz +/- 0.25dB
Video input impedance 75Ohm +/-1%
Video output impedance 75Ohm +/-1%
Operating temperature range 10 - 35¡Æ C
AC supply frequency 50-60Hz
AC supply voltage 90-100V, 110-120V or 220-240V. The voltage is marked on the rear of the unit
Power consumption (base unit)
less than 40W, less than 37W in standby*
Dimensions (including feet, terminals and controls) 445mm wide
150mm high
395mm deep
*The AV192R keeps the main circuit powered up in standby to allow maximum performance from the first minute.
AV192R FM Tuner Option -
Tuning Range 87.5MHz - 108.0MHz (76.0MHZ - 90.0MHz Japan)
FM tuning step
50kHz
Sensitivity
mono 15dB uV pd, stereo 35dB uV pd
Frequency Response
20Hz - 15kHz (+/- 3dB)
Ultimate S/N
70dB (mono), > 65dB (stereo)
THD+N
mono less than 0.1%, stereo less than 0.3%

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